PERSPEKTIVE
Bibliographie
Einträge geordnet
nach dem Jahr des Erscheinens
von 1950 bis 1970
|
|
|
|
PERSPEKTIVE Bibliographie Einträge geordnet nach dem Jahr des Erscheinens von 1950 bis 1970 |
|
Die Jahreszahlen in Gelb sind nicht gesichert. Und hier geht es zurück zur Biblographie Übersicht. |
| William | ||||||
| Abbot | 1950 | London | ||||
| The Theory and Practice of Perspective | Blackie | |||||
| Peter | ||||||
| Tank | 1951 | Stuttgart | ||||
| Konstruierte Perspektiven | Verlag Konrad Wittwer | |||||
| John | ||||||
| White | 1951 | London | ||||
| Developments in Renaissance Perspective : Second Part | The Warburg Institute | |||||
| Journal of the Warburg and Courtauld Institutes | ||||||
| B. A. R. | ||||||
| Carter | 1953 | London | ||||
| The Perspective of Piero della Francesca's Flagellation | The Warburg Institute | |||||
| Journal of the Warburg and Courtauld Institutes, XVI, 292-302 | ||||||
| Hans | ||||||
| Döllgast | 1953 | Ravensburg | ||||
| Gebundenes Zeichnen | Otto Maier | |||||
| Erwin | ||||||
| Panofsky | 1953 | Cambridge MA | ||||
| Early Netherlandish Painting | Harvard University Press |
|||||
| Maurice Henry Leonard | ||||||
| Pirenne | 1953 | Oxford | ||||
| The Scientific Basis of Leonardo da Vinci's Theory of Perspective | University Press | |||||
| The British Journal for the Philosophy of Science, III, 1952-1953, pp. 169-185 | ||||||
| Bernhard | ||||||
| Schweitzer | 1953 | Tübingen | ||||
| Vom Sinn der Perspektive | Max Niemeyer | |||||
| Reihe «Die Gestalt», Heft 24 | ||||||
| Rudolf | ||||||
| Wittkower | 1953 | London | ||||
| Brunelleschi and «Proportion in Perspective» | The Warburg Institute | |||||
| Journal of the Warburg and Courtauld Institutes, XVI, 275-291 | ||||||
| Rudolf | ||||||
| Wittkower | 1953 | London | ||||
| The Perspective of Piero della Francesca's Flagellation | The Warburg Institute | |||||
| Journal of the Warburg and Courtauld Institutes, XVI, 292-302 | ||||||
| Jurgis | ||||||
| Baltrušaitis | 1955 | Paris | ||||
| Anamorphoses ou Perspectives curieuses | Olivier Perrin | |||||
| Decio | ||||||
| Gioseffi | 1957 | Trieste | ||||
| Perspectiva artificialis : la storia della prospettiva : spigolature e appunti | Università degli studi di Trieste |
|||||
| Georg | ||||||
| Muenter | 1957 | Berlin | ||||
| Idealstädte : Ihre Geschichte vom 15. - 17. Jahrhundert | ||||||
| John | ||||||
| White | 1957 | London | ||||
| The Birth and Rebirth of Pictorial Space | Faber and Faber Limited | |||||
| Ingvar | ||||||
| Bergström | 1958 | Göteborg | ||||
| Revival of Antique Illusionistic Wall-Painting in Renaissance Art |
Göteborgs Universitet | |||||
| Göteborgs Universitets Årsskrift 63 | ||||||
| Bertram | ||||||
| Colgrave | 1958 | Københaven | ||||
| The Paris Psalter | Rosenkilde and Bagger |
|||||
| Faksimile der Handschrift in der Bibliothèque National, Fonds latin | ||||||
| Francesco | ||||||
| Negri Arnoldi | 1958 | Firenze | ||||
| Prospettici e quadraturisti | Instituto Collaborazione Culturale |
|||||
| Enciclopedia Universale dell'Arte, vol. XI | ||||||
| George | ||||||
| Rowling | 1959 | Princeton NJ | ||||
| Principles of Chinese Painting (2nd edition) | University Press | |||||
| (1st edition, 1947) | ||||||
| Erwin | ||||||
| Panofsky | 1960 | Stockholm | ||||
| Renaissance and Renascences in Western Art | Almqvist & Wiksell | |||||
| Gottesman Lectures, Uppsala University, 7 | ||||||
| Ernst H. | ||||||
| Gombrich | 1960 | Princeton NJ | ||||
| Art and Illusion | University Press | |||||
| Margarete | ||||||
| Bieber | 1961 | Princeton NJ | ||||
| The History of the Greek and Roman Theater | University Press | |||||
| F. | ||||||
| Forster | 1961 | Solothurn | ||||
| Beschreibung des Perspektiv-Automaten | Vereinigung Schweizerischer Strassenfachleute |
|||||
| Strasse und Verkehr, 1961, 31-35 | ||||||
| Werner | ||||||
| Müller | 1961 | Stuttgart | ||||
| Die heilige Stadt | Kohlhammer | |||||
| Liliane | ||||||
| Brion - Guerry | 1962 | Paris | ||||
| Jean Pélerin, Viator : sa place dans l'histoire de la perspective | SociÉtÉ d'Édition les Belles Lettres |
|||||
| Rudolf | ||||||
| Schnyder | 1962 | Zürich | ||||
| Zur Entdeckung der wissenschaftlichen Perspektive in der Antike | Verlag Karl Schwegler | |||||
| Zeitschrift für Schweizerische Archäologie und Kunstgeschichte, Bd. 22, 1962, S. 143-157 | ||||||
| Roger | ||||||
| Bacon | 1964 | Frankfurt am Main | ||||
| OPUS MAJUS | Minerva G.m.b.H. | |||||
| Leonardo | ||||||
| da Vinci | 1964 | Berkeley | ||||
| On Painting | University of California Press |
|||||
| Alessandro | ||||||
| Parronchi | 1964 | Milano | ||||
| Studi su la «dolce» prospettiva | Editore Aldo Martello | |||||
| Gezenius | ||||||
| ten Doesschate | 1964 | Nieuwkoop | ||||
| Perspective: Fundamentals, Controversals, History | ||||||
| Rudolf | ||||||
| Arnheim | 1965 | Berlin | ||||
| Kunst und Sehen : Eine Psychologie der bildlichen Darstellung | de Gruyter & Co. | |||||
| Graziella | ||||||
| Vescovini | 1965 | Torino | ||||
| Studi sulla prospettiva medievale | Università di Torino | |||||
| B. A. R. | ||||||
| Carter | 1967 | London | ||||
| The use of perspective in Saenredam | The Burlington Magazine Publications |
|||||
| Burlington Magazine | ||||||
| Susan | ||||||
| Koslow | 1967 | |||||
| De wonderlijke Perspectyfkas : an aspect of seventeenth century dutch painting | ||||||
| John | ||||||
| White | 1967 | London | ||||
| The Birth an Rebirth of Pictorial Space | Faber and Faber Limited | |||||
| Second edition | ||||||
| Albert | ||||||
| Flocon | 1968 | Paris | ||||
| La perspective curviligne De l' espace visuel à l' image construite |
Flammarion | |||||
| Alison & Helmut | ||||||
| Gernsheim | 1968 | New York | ||||
| L. J. M. Daguerre : The History of the Diorama and the Daguerreotypie | Dover Publications | |||||
| Giovan Paolo | ||||||
| Lomazzo | 1968 | Hildesheim | ||||
| Trattato dell' arte della pittura, scoltura e architettura | Olms | |||||
| Jan | ||||||
| Vredeman de Vries | 1968 | New York | ||||
| Perspective | Dover Publications | |||||
| Jurgis | ||||||
| Baltrušaitis | 1969 | Paris | ||||
| Anamorphoses ou magie artificielle des effets merveilleux | Olivier Perrin | |||||
| Gottfried | ||||||
| Boehm | 1969 | Heidelberg | ||||
| Studien zur Perspektivität | Winter | |||||
| Friedrich W. | ||||||
| Capelle | 1969 | New York | ||||
| Professional Perspective Drawing for Architects and Enginneers | McGraw-Hill Book Company |
|||||
| Frank | ||||||
| Mulvey | 1969 | |||||
| Graphic perception of space | Studio Vista | |||||
| Giangiorgio | ||||||
| Zorzi | 1969 | Venezia | ||||
| Le ville e i teatri di Andrea Palladio | N. Pozza | |||||
| B. A. R. | ||||||
| Carter | 1970 | Oxford | ||||
| Perspective | Clarendon Press | |||||
| Robert | ||||||
| Klein | 1970 | Paris | ||||
| La forme et l' intelligible | Gallimard | |||||
| David Charles | ||||||
| Lindberg | 1970 | Berlin | ||||
| The Theory of Pinhole Images | Springer | |||||
| Archive for History of Exact Sciences, Volume 6, Number 4, pp. 299-325 | ||||||
| David Charles | ||||||
| Lindberg | 1970 | Madison WI | ||||
| John Pecham and the science of optics | University of Wisconsin Press |
|||||
| Harold | ||||||
| Osborne | 1970 | Oxford | ||||
| The Oxford Companion to Art | Clarendon Press | |||||
| Maurice Henry Leonard | ||||||
| Pirenne | 1970 | Cambridge | ||||
| Optics, Paintings & Photography | University Press | |||||
| Hieronymus | ||||||
| Rodler | 1970 | Graz | ||||
| Eyn schön nützlich büchlin | Akadem. Druck- und Verlagsanstalt |
|||||
| 1900 bis 1950 | Seitenanfang | 1970 bis 1980 |